Blog MOVED!!!

Music No Comments

I’m sorry I didn’t inform everyone that I moved my blog a while ago!

Actually, I’ve merged it with my personal/family/writing blog. It’s all public, so you don’t need an invite to see it.

It’s at http://chas.willowrise.com

If you are only interested in following the music aspect of the blog, you can link directly to http://chas.willowrise.com/?cat=4

Also, if you were subscribed to this blog and want to continue to subscribe to the music stuff, here’s an rss feed to all things music on that blog: http://chas.willowrise.com/?feed=rss2&cat=4

Or, if you just want to subscribe to the whole blog, and get all the silly posts I do, you can subscribe to: http://chas.willowrise.com/?feed=rss2

I promise I haven’t been abducted like it may appear. I’ve just decided to simplify a bit. Let me know if this is a horrible awful thing to you. :D

In short, I’m still here! Just come to http://chas.willowrise.com

Oh Come, Oh Come Immanuel

Christmas, Music, hymns, piano 2 Comments  

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Here’s an arrangement I wrote last year of Oh Come, Oh Come Immanuel.  I’m introducing it again, but earlier this year.  I could create the sheet music for it in a matter of a couple weeks if there is a demand for it.  I’d even throw the simple chords on it for if you play the guitar.  The thing I like about this one is it’s really easy and fun to play.  I think It’s my favorite of my original Christmas arrangements so far.  By the way, there’s still time for me to write some Christmas arrangements before December, so if you have a favorite Christmas song, let me know and I’ll make a piano solo version or piano/flute version, depending on the piece.

For a free MP3 download of this music visit chashathaway.com

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Oh Come, Oh Come Immanuel

I’ve always loved the song, Oh Come, Oh Come Immanuel.  To me it resonates the Passover cry that the Messiah might come.  I can picture the beginnings of the passover celebrations beginning, and the pleading prayer to God that the Messiah might come.

Then in the midst of those prayers, He came – quietly.  In fact His coming was so quiet that while He continued with them, their prayers and pleadings continued.  He dwelt among them, blessed them, taught them the true Gospel, fulfilled the law of Moses, yet their pleading continued.  Come Immanuel, come.

He healed them, suffered the atonement for them, and died for them.  He even rose from the dead for them, yet their pleadings continued.  Come Immanuel, come!

And for many, those prayers still continue today.

Come Thou Fount Sheet Music Available

Music, hymns, sheet-music 1 Comment

Yay!  I finally finished transcribing my original piano solo arrangement of Come Thou Fount into sheet music.  It’s available for purchase on my official website, http://chashathaway.com

You can also see a sample page there.

Fount small

Falling Up

Meaning Behind the Music, Music, Original Music by Chas, Religious, Vocals, piano 1 Comment  

I’m taking a different approach to releasing my music this time.  Instead of writing a whole CD’s worth of music and then releasing it all at the same time, I’m going to release songs as they are written, and then when there is a CD’s worth, I’ll put them together.

This way the music will be available as soon as it’s recorded.

This song was written by Maria Hathaway (Maria Spencer after tomorrow!  Congratulations, Ria!), and I wrote the music for it.  It will be available for purchase soon!

Enjoy!

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Falling Up

Falling Up

Falling Up

Lyrics and Vocals by Maria Hathaway Spencer
Music by Chas Hathaway

Walk to the place
where you can no longer see,
turn your face
to all that’s free,
take a step
into the deep,
fall into light.

Arms will embrace
and you will know it is He.
Call His name, walk His ways
fall into the endless light
of truth
of love
of peace
above.

Walk to the place
where you can finally see.
Gaze upon
Eternity.
Fall into light.

Come Thou Fount: Original Piano Solo Arrangement

Music, Religious, Writings, hymns, piano 4 Comments  

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Come Thou Fount

Come Thou Fount

I love the old hymn, Come Thou Fount.  I think it captures the spirit of Christianity everywhere and reminds us that without Jesus Christ, we are nothing, but that with Him, we can become all that He is.  I’ve been intending to create an arrangement of it for a long time, and I finally took the time to do it.  You are welcome to download this arrangement for free. Also, you can purchase the sheet music at my website: http://chashathaway.com

Of all the words in the song, my favorites are these: “Here’s my heart, O take and seal it, Seal it for Thy courts above.”  It reminds me that I have given my heart entirely to the Lord, and he can do with it as He sees fit.  That heart often needs tuning, even regular tuning, and only He can do it, but I must bring it to Him – over and over and over.  Each time I do, he refines it, purifies it, and returns it to me, better, stronger, and more empowered than before.  I love Jesus Christ.  No matter how much I give, He always give back more.  I guess that’s why He said, “I am come that they might have life, and that they might have it more abundantly.”

He waits on us to give Him all that we are, and when we do, He gives us back a life that is far better than anything we could have imagined.

Below is a copy of the original lyrics by Robert Robinson as he wrote them in the Read the rest…

My Musical Journey: The Message

Music, Music and the Mind, My Musical Journey, Religious, Writings, piano 1 Comment

The Message

When I was nine, my sister Ria had piano lessons. Being the little brother, I thought I should be able to have piano lessons, too. To me it looked like fun, and I wanted a turn. So mom signed me up.

A lady in our neighborhood, who was also in our ward, taught many kids piano lessons, and for only $3 a week, it was a pretty good way to go, though I didn’t find out until later what a generous teacher I had to charge such a small fee for those valuable lessons.

The lessons were fun, and I learned all the basic musical terms and skills, and obtained a very basic piano proficiency. By the time I had been taking lessons for a year, however, I was tired of practicing, and after a few weeks of dragging my feet, I stopped going to piano lessons.

Years went by, and I didn’t touch my piano books. They were a thing of the past, and any time I considered playing, I remembered how boring practice was, so from the time I stopped the lessons, I stopped playing the piano entirely.

As a young man of fourteen, I loved listening to music while drifting off to sleep. I would stick in a favorite cassette and let it play through to the end. However long it took me to fall asleep, I would always get completely wrapped up in the music. As I made a habit of this, I soon found that the mere act of turning on music and closing my eyes did something to me. It was as if the sounds were wrapping around me, filling me. I don’t know how to describe it, but that simple, quiet music had an overwhelming effect on my whole system.

It was at that time that I came to a realization of the power of music – just a few simple notes, played at just the right… well, everything! The tempo was perfect, the notes were perfect, played at the perfect volume at just the right moments. What was it about this mix of sounds that drew a person in so completely? Was it the flawless skill of the artist, or was it something independent of the musician? Did the music itself somehow convey the sense of completeness and power that I felt?

Much of the music I listened to was religious music, and the powerful feelings I felt while listening to that music were always accompanied by an intense spiritual high that made me want to be better, do more good, and reach out more to bless the lives of more people. But a lot of the music I listened to was simple New Age music, which at that time was sometimes called Easy Listening music.

One night, while listening to some of this gentle music, I felt something unique – or I heard something, but with my feelings rather than my ears. It was as if someone or something was sending a clear message through while my mind and heart were in such a susceptible state. The message was simply this: “You can give this gift to others.”

I lay motionless, still wrapped in the feelings and power of the music. The words had been clear. You can give this gift to others. What gift? Music? The ability to play music? The feelings that the music expressed? Though the message had been clear, I didn’t know for sure what it meant.

The more I thought about it, the more I felt that it was time to go beyond simply listening to and enjoying music. I needed to make music.

But how? I didn’t play any musical instruments, and my voice was nasally and boisterous. I would have to learn to play an instrument. A flute? A brass instrument? I didn’t have any instruments, and I didn’t have access to any instruments – except…

Yes. The piano. The family had a piano. I would would get out my old lesson books and start learning to play first thing after school the next day.

A Musical Language: Speaking through Music

Music, Music and the Mind, Writings, theory 1 Comment

Here’s a crazy idea – though it’s not exactly a whim, since I’ve had the idea floating around in my head for about eight years now. I’ve always been fascinated with the capacity music has to communicate feelings and convey messages in a way that is often more powerful and effective than written or verbal communication. What if we were to come up with a language that was spoken through music? A system that actually uses notes to communicate detailed information. It would have to be detailed enough that someone could translate the Bible into the language, and yet simple enough that it wouldn’t take years of training to get it. Not a code, exactly, but something between a code and a language.

In a sense, what I’d like to see is someone pipe a tune, and someone else understand the detailed message.

Some ideas have been explored along these lines. Probably the biggest is Solresol, invented by François Sudre in the 1800s, which is simply a language that uses words spelled with different combinations of notes in the basic piano scale. It has its own dictionary and grammar, too.

But I would like to see a language that is more than a code that uses notes for letters. Ultimately, the ending product has to be both beautiful music and a clear message. It has to be as artistic and aesthetically pleasing as it it literary.

While we’re at it, let’s go ahead and make its written form as beautiful artistically as its sound is musically. So in other words, it would be a language that looks like art when it is written, and sounds like music when it is spoken. There would be little or no need for tongue and mouth articulation, as is present in every language I know except Sign.

Mind you, this would be a MAJOR undertaking. If it leaned more toward the side of code, then it would take very careful rules that would maintain beauty and simplicity while allowing a detailed message without taking too much time to convey it. If, on the other hand, it leaned toward the side of language, then it would need its own dictionary and grammar rules.

Just think how fun it would be to write a detailed message, and then put it to music by simply translating it into this musical language. If it was really well made and well planned, such a language could shape the future of composition in the future for thousands of people. It would completely obliterate the question of whether or not it is possible to convey a message using music alone. It would not only supply the usual feelings and subconscious patterns, but it would speak words with as much clarity and accuracy as this blog entry. And if a picture paints a thousand words, this would paint a hundred thousand words.

I have toyed with (as well as started on and off) to create this language/code, but time has limited me from really diving into it. But here are a few rules that I think would have to be kept constantly in mind for it to have any chance of being what I envision it:

  1. It has to sound beautiful – or at least any message spoken would have the potential for sounding like decent music, and in written form, looking like decent art.

  2. It would have to be fairly simple to learn. How many people do you know that can speak Klingon? Sorry, but complex language systems intimidate people, so this has to be fairly simple.

  3. It has to be able to carry as detailed a message as the composer (or speaker) needs to speak.

  4. It has to be able to convey the message in a time-frame comparable to living languages today. (IE it can’t take 5 minutes to say, “I went to the store and bought a burrito.)

  5. It has to be able to be spoken by a single individual without the aid of others. Harmony and chord structures may be used to emphasize, expand, or provide multiple levels to the message, but a basic communication has to be able to be spoken by one person by either voice or instrument.

  6. Just remember the most important things are that it’s spoken and written form is beautiful, and its message can be detailed.

  7. Other elements, such as rhythm or note-length can assist in speaking the language, but they probably ought to be used more in grammar rather than individual words in order to allow the composer or speaker as much creative liberty as possible to compose a piece of music using the language.

So there you have it. Any thoughts? Ideas? Criticisms? It’s a kind of wild idea, but we’re living in an age of wild ideas, and if we pull together, we can make some wild ideas awesome ones.

Lunch Bucket Canon: The Piece that Didn’t Make the Cut

Meaning Behind the Music, Music, Original Music by Chas, The Ancestor CD, piano 2 Comments  

Lunch Bucket Canon

In preparing The Ancestor CD, I had one piece that was intended to go on the album, but didn’t make the cut.  It needs some fixing up, and hopefully I’ll have it ready for publication later.  So it’s been sitting on my computer rotting for a couple months.  Then I realized that just because it’s not ready to sell doesn’t mean I can’t share it on my blog!  So here’s the piece that didn’t make the cut for my new CD.

Lunch Bucket is my daughter’s nickname, and I have a tradition of writing a lullaby for each of my kids.  After writing one for Lunch Bucket, I realized that the melody fits with the chord progression to Pachelbel’s Canon in D. So I made a little medley that is basically a variation on Canon in D, though it’s really Canon in C when I play it.

Oh, and I should tell you up front – this is NOT a solo.  It takes at least three people.  If I ever play this one in an up-close concert, I might even have everyone who can play Canon in C come up and jam along!

Cymatics: Does Sound have a Shape?

Music and the Mind, theory 1 Comment

I guess it does.

Mr. Bean: Pianist Extraordinaire

Humor and Fun No Comments

I don’t know if Rowan Atkinson is actually staging as Mr. Bean here or not, but he gives a spectacular performance, wouldn’t you say?

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